Showing posts with label Thirties. Show all posts
Showing posts with label Thirties. Show all posts

Friday, April 27, 2012

Not Yeti Friday - Voormis

In 1933, sword-and-sorcery author Clark Ashton Smith wrote the short story, "The Seven Geases" as part of his Hyperborean cycle. Here he describes the race called Voormis - shaggy, bestial humanoids who dwell in the mountains and worship the underground toad-god, Tsathoggua.

Except for the whole toad-god part, they're a lot like Yeti.

There's no official visual representation of Voormis, but here are a couple of interpretations:

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So that's three of the founders of the sword and sorcery subgenre: Lovecraft, Howard, and Smith ...

...And all three had lots of love for Yeti.


Awwwww.



P.S.  Here's one visual interpretation of the toad-god, Tsathoggua, that I felt I had to share.  Did I mention he's more of a toad-bat?  Yep, he's more of a toad-bat.

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Monday, April 16, 2012

Ape-Beasts & Tex-Mex

Look at all the video games with fantasy settings made in the last few decades. Why is there a Yeti in almost every single one of them? You can't even swing a sword or cast a fireball without hitting one.

I think it's because a certain Robert E. Howard in the early 1930's loved ape-beasts and tex-mex food.

I'll explain.

It's established fact that Texas and its signature cuisine inspired him to write the Conan the Cimmerian stories. Wikipedia entry on Howard:

"Early 1932 saw Howard taking one of his frequent trips around Texas. He traveled through the southern part of the state with his main occupation being, in his own words, "the wholesale consumption of tortillas, enchiladas and cheap Spanish wine." In Fredericksburg, while overlooking sullen hills through a misty rain, he conceived of the fantasy land of Cimmeria, a bitter hard northern region home to fearsome barbarians. In February, while in Mission, he wrote the poem Cimmeria... It was also during this trip that Howard first conceived of the character of Conan [the Barbarian]."
Middle bit by Cary Nord

And it was these Conan stories that started the whole sword-and-sorcery sub-genre.

Ape-beasts were all over them from the very beginning - Shadows in the Moonlight (1934) and Jewels of Gwahlur (1935) being two prime examples. Howard's love for monstrous simians was obvious.

He once said: "Break the skin of civilization and you find the ape, roaring and red-handed."

Here are some illustrations of ape-beasts from Conan stories:




It was in "Three-Bladed Doom" (1934), an unpublished El Borak story - not a Conan one, that Howard seems to be directly referring to the Yeti:
"It was like the embodied spirit of this nightmare country, a ghoulish incarnation of a terrible legend, clad in flesh and bone and blood. The creature was a giant ape, as tall on its gnarled legs as a gorilla. But the shaggy hair which covered it was of a strange ashy grey, longer and thicker than the hair on a gorilla. Its feet and hands were more man-like, the great toes and thumbs more like those of the human than of the anthropoid. It was no arboreal creature, but a beast bred on great plains and barren mountains... Gordon knew it for what it was: the monster whose existence even he had refused to credit, the beast named in myth and legend of the north - the Snow-Ape, the Desert-Man of forbidden Mongolia. He had heard rumors of its existence many times, in wild tales drifting down from a lost, bleak plateau-country of the Gobi never explored by white men. Tribesman had sworn to the stories of a man-like beast which had dwelt there since time immemorial, adapted to the famine and bitter chill of the northern uplands. But Gordon had never seen a man who could prove he had seen one of the brutes."
Illustration by Jim and Ruth Keegan for "Three-Bladed Doom"


In 1955, author L. Sprague de Camp reconfigured the "Three-Bladed Doom" to be a Conan story in the novella, "The Flame Knife".



This time, the Snow-Ape was even more obviously a Yeti:
"It was like a ghoulish incarnation of a terrible legend, clad in flesh and bone; a giant ape, as tall on its gnarled legs as a gorilla. It was like the monstrous man-apes that hunted the mountains around the Vilayet Sea...but it was even larger; its hair was longer and shaggier, as of an arctic beast, and paler, as ashen grey that was almost white."
Sounds like Yeti to me. And this would have been written in the middle of mid-1950's Yeti fever: Sir Edmund Hillary and Tenzing Norgay's Everest expedition, giant footprint sightings, the Pangboche scalp, etc.

Here are some illustrations of the Yeti from "The Flame Knife":

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Conan and the Snow Ape (Oil on canvas, 18 X 24, 2001) by Don Marquez

So it was partly because of Howard's Yeti love in those bygone days that a certain Gary Gygax, fan of Howard's sword-and-sorcery stories, decided it was a natural fit to include the Yeti in the bestiary of his pen-and-paper role-playing game back in the 1970's.

(I have no doubt Gygax was eating enchiladas at the time. Ambrosia of the gods, I tell you.)

And D&D became the inspiration and blueprint for all the countless video games with fantasy settings that have been developed.

And the Yeti, hitched there long ago by a certain Tex-Mex-munchin' Robert E. Howard, went along for the ride.

It's a staple.



All this week: YETIS & SWORD & SORCERY!

Friday, March 23, 2012

Not Yeti Friday - Mi-Go

It goes without saying that there are yetis in everything. So it came as a surprise that there were no yetis in H.P. Lovecraft's cosmic horror-verse.

But actually there are! ... Of a sort.

The monster called Mi-Go from Lovecraft's 1930 story "The Whisperer in Darkness" isn't a yeti. It is a fungus.

A large, pinkish, fungoid, bat-winged crustacean-like alien man-thing, to be exact. With an antennaed "convoluted ellipsoid" for a head.


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Not much like a yeti, I know. But Lovecraft actually intended Mi-Go to be yeti.

Say wha?

I'll let the Mi-Go wikipedia entry expound upon the subject :

"It is possible that Lovecraft encountered the word migou in his readings. Migou is the Tibetan equivalent of the yeti, an ape-like cryptid said to inhabit the high mountain ranges of that region. While the Mi-go of Lovecraft's mythos is completely unlike the migou of Tibetan stories, Lovecraft seems to equate the two, as can be seen in the following excerpt from "The Whisperer in Darkness":
It was of no use to demonstrate to such opponents that the Vermont myths differed but little in essence from those universal legends of natural personification which filled the ancient world with fauns and dryads and satyrs, suggested the kallikanzarai of modern Greece, and gave to wild Wales and Ireland their dark hints of strange, small, and terrible hidden races of troglodytes and burrowers. No use, either, to point out the even more startlingly similar belief of the Nepalese hill tribes in the dreaded Mi-Go or "Abominable Snow-Men" who lurk hideously amidst the ice and rock pinnacles of the Himalayan summits. When I brought up this evidence, my opponents turned it against me by claiming that it must imply some actual historicity for the ancient tales; that it must argue the real existence of some queer elder earth-race, driven to hiding after the advent and dominance of mankind, which might very conceivably have survived in reduced numbers to relatively recent times—or even to the present.

— H. P. Lovecraft, The Whisperer in Darkness (1930)
Also, the Mi-Go leave mysterious footprints. Sound familiar?

Here's some artistic depictions. Remember, knowing H.P. Lovecraft, to look upon the true form of these creatures would invoke madness. Be grateful you are just seeing some vague, scribbled approximations of the actual fungoid man-things.

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Designs for a stop-motion style Mi-Go for a movie version of The Whisperer in Darkness (view the trailer here|buy the dvd here)



More Mi-Go Representations here!



I'll leave you with one more quote from the Mi-Go wikipedia entry:

"They do not register on ordinary photographic film."

Hmm, now that sounds like the yeti I know!

Monday, March 5, 2012

Wings! (Winged Ape-Monstrosity)

In the Conan the Cimmerian story Queen of the Black Coast (1934, Robert E. Howard put a winged ape-monstrosity in some ancient ruins.

Here are some artistic interpretations of the beast:






Update: The Fisherman of the Inland Sea, frequent purveyor of bountiful hauls for this blog, has reminded me of the Winged Monkeys of Oz. Not to be remiss, I include it here. Wise is the Fisherman.

Friday, September 4, 2009

Not Yeti Friday - Son of Kong



There once was a giant ape-beast twice the size of a man and covered in white fur. He was one-of-a-kind and lived all alone. One day some explorers stumbled into his home. Was he dangerous? No. Despite his bestial appearance, he turned out to be quite affable and playful. When the humans ran into trouble, he did everything he could to save their lives.

Sound familiar? It could be a story of our conception of the yeti today.

But it was actually the 1933 movie, "Son of Kong", the sequel to King Kong.

Yes, King Kong had a son. He was much smaller in size, albino, and far friendlier than his father.

One can't help but wonder if this film had an effect informing our conception of the other famous Ape Man in popular culture.


Here he is, the Son of Kong... Just put some snow on the ground, and we're not far from depicting an Abominable Snowman.